Oil On Canvas, Real Flavor of Old Masters

All George Stubbs 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
37778  
A Couple of Foxhounds, George Stubbs
  		 A Couple of Foxhounds   sn02 1792 Oil on canvas 101.6x127
43304  
A Gentleman Driving a Lady in a Phaeton, George Stubbs
  		 A Gentleman Driving a Lady in a Phaeton   mk170 1787 Oil on oak 82.5x101.6cm
3727  
A Horse Frightened by a Lion, George Stubbs
  		 A Horse Frightened by a Lion   1770 Tate Gallery, London
45940  
A Horse Frightened by a Lion, George Stubbs
  		 A Horse Frightened by a Lion   mk178 oil on linen 10.1x126cm
72965  
A Lion Attacking a Horse, George Stubbs
  		 A Lion Attacking a Horse   "A Lion Attacking a Horse," oil on canvas, by the English artist George Stubbs. 38 in. x 49 1/2in. Yale University Art Gallery, gift of the Yale University Art Gallery Associates. Courtesy of Yale University, New Haven, Conn. cjr
74051  
A Lion Attacking a Horse, George Stubbs
  		 A Lion Attacking a Horse   oil on canvas, by the English artist George Stubbs. 38 in. x 49 1/2in. Yale University Art Gallery, gift of the Yale University Art Gallery Associates. Courtesy of Yale University, New Haven, Conn. Date 1770(1770) cyf
60942  
A self portrait by George Stubbs, George Stubbs
  		 A self portrait by George Stubbs   A self portrait by George Stubbs
37639  
A Zebra, George Stubbs
  		 A Zebra   mk127 22x28
45907  
Bay time tone with John Singleton Up, George Stubbs
  		 Bay time tone with John Singleton Up   mk178 around 1767 oils on Leiwand 101.6x127cm
81498  
Brood Mares and Foals, George Stubbs
  		 Brood Mares and Foals   oil on canvas painting by George Stubbs, early 1760s Date early 1760s cyf
78213  
Brood Mares and Foals,, George Stubbs
  		 Brood Mares and Foals,   Brood Mares and Foals, oil on canvas painting by George Stubbs, early 1760s cjr
37797  
Cheetah and Stag with Two Indians, George Stubbs
  		 Cheetah and Stag with Two Indians   sn02 1765 Oil on canvas 180.7x273.3
71521  
Der Phaeton des Prince of Wales, George Stubbs
  		 Der Phaeton des Prince of Wales   1793(1793) Oil on canvas 102 x 128 cm
72729  
Der Phaeton des Prince of Wales, George Stubbs
  		 Der Phaeton des Prince of Wales   Date 1793(1793) Medium Oil on canvas Dimensions Deutsch: 102 X 128 cm cyf
37773  
Dog, George Stubbs
  		 Dog   sn02 Oil on canvas Picture Library, London
37775  
Dog, George Stubbs
  		 Dog   sn02 Oil on canvas
37597  
Foxhounds in a Landscape, George Stubbs
  		 Foxhounds in a Landscape   mk127 23x32
93687  
Gepard mit zwei indischen Dienern und einem Hirsch, George Stubbs
  		 Gepard mit zwei indischen Dienern und einem Hirsch   1765(1765) Medium oil on canvas Dimensions Deutsch: 206 x 274 cm cjr
91221  
Gimcrack on Newmarket Heath, with a Trainer, a Stable-lad, and a Jockey, George Stubbs
  		 Gimcrack on Newmarket Heath, with a Trainer, a Stable-lad, and a Jockey   1765(1765) Medium oil on canvas Dimensions Deutsch: 96,5 x 186,5 cm cjr
96606  
Green Monkey, George Stubbs
  		 Green Monkey   1798(1798) Medium oil on canvas cyf
45908  
Hambletonian, Rubbing Down, George Stubbs
  		 Hambletonian, Rubbing Down   mk178 1800 oils on linen 209x367.3cm
56166  
hambletonian,rubbing down, George Stubbs
  		 hambletonian,rubbing down   mk247 1800,oil on canvas,82.25x144.625 in,209x367.5 cm,mount stewart house,county down,uk
53854  
Hasta who become skramd of a lion, George Stubbs
  		 Hasta who become skramd of a lion   mk234 1770 94x125cm
86407  
Haymakers, George Stubbs
  		 Haymakers   Date 1785(1785) Medium Oil on wood Dimensions Height: 89.5 cm (35.2 in). Width: 132.5 cm (52.2 in). cjr
90726  
Haymakers, George Stubbs
  		 Haymakers   1785(1785) Medium oil on panel Dimensions Height: 89.5 cm (35.2 in). Width: 132.5 cm (52.2 in). cyf
37776  
Horse, George Stubbs
  		 Horse   sn02 Oil on canvas
32821  
Horse Frightened by a lion, George Stubbs
  		 Horse Frightened by a lion   mk81 1763
50846  
Hunting Scene Detail from a landscape, George Stubbs
  		 Hunting Scene Detail from a landscape   mk216
44001  
Lion Devouring a Horse, George Stubbs
  		 Lion Devouring a Horse   1763 Oil on canvas, 69 x 104 cm
77668  
Lord Grosvenor's Arabian Stallion with a Groom, George Stubbs
  		 Lord Grosvenor's Arabian Stallion with a Groom   Lord Grosvenor's Arabian Stallion with a Groom, c. 1765, oil on canvas painting by George Stubbs, Kimbell Art Museum. cjr
81240  
Lord Grosvenors Arabian Stallion with a Groom, George Stubbs
  		 Lord Grosvenors Arabian Stallion with a Groom   c. 1765, oil on canvas painting by George Stubbs, Kimbell Art Museum Date ca. 1765(1765) cyf
45906  
Lustre hero by a Groom, George Stubbs
  		 Lustre hero by a Groom   mk178 around 1760-1762 oil on linen 101.9x127cm
45901  
Mambrino, George Stubbs
  		 Mambrino   mk178 around 1790 oils on linen 88x117cm
23504  
Mares and Foais in a Landscape (nn03), George Stubbs
  		 Mares and Foais in a Landscape (nn03)   1763-8 Oil on canvas 99.1 x 158.8 cm 39 x 62 1/2 in Tate Gallery London
3726  
Mares and Foals in a Landscape, George Stubbs
  		 Mares and Foals in a Landscape   1763-68 Tate Gallery, London
60944  
Mares and Foals in a Landscape., George Stubbs
  		 Mares and Foals in a Landscape.   Mares and Foals in a Landscape. 1763-68.
40590  
Mares and Foals in a River Landscape, George Stubbs
  		 Mares and Foals in a River Landscape   mk156 1763-68 Oil on canvas
33820  
Molly Longlegs with Jockey, George Stubbs
  		 Molly Longlegs with Jockey   mk86 c.1761/62 Oil on canvas 102x127cm Liverpool Walker Art Gallery
37777  
Monkey, George Stubbs
  		 Monkey   sn02
37779  
Mother and Child, George Stubbs
  		 Mother and Child   sn02 1772 30.5x30.5
32834  
Otho,with JOhn Larkin up, George Stubbs
  		 Otho,with JOhn Larkin up   mk81 1768
71661  
Pferde in einer Landschaft, George Stubbs
  		 Pferde in einer Landschaft   c. 1760-1770 Oil on canvas 99 x 188 cm
72914  
Pferde in einer Landschaft, George Stubbs
  		 Pferde in einer Landschaft   Date Deutsch: um 1760-1770 English: c. 1760-1770 Medium Oil on canvas Dimensions Deutsch: 99 X 188 cm cyf
26955  
Self-Portrait on a White Hunter, George Stubbs
  		 Self-Portrait on a White Hunter   mk52 1782 Enamel on Wedgwood biscuit earthenware 93x71cm Lady Lever Art Gallery,Port Sunlight
37795  
Soldiers of the 10th Light Dragoons, George Stubbs
  		 Soldiers of the 10th Light Dragoons   sn02 1793 Oil on canvas 102.2x127.9
37774  
Some Dogs, George Stubbs
  		 Some Dogs   sn02 Oil on canvas
56671  
ston och fol i flodlandskap, George Stubbs
  		 ston och fol i flodlandskap   mk248 stubbs malade en serie studier av avelsston ocb fol placerade framfor skiftande bakgrunder, fran skogogar till berg. hans anatomiska expertis gjorde det latt for bonom att overtygande placera ut bastarna i tilltalande konfigurationer, vanligtvis malade ban djuren forst ocb fyllde darefter i det omgivande lanskapet utan att anvanda nagon forlaga.
71633  
Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter, George Stubbs
  		 Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter   1764-1765 Oil on canvas 99 x 188 cm
72833  
Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter, George Stubbs
  		 Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter   Date 1764-1765 Medium Oil on canvas Dimensions Deutsch: 99 X 188 cm cyf
66443  
Stuten und Fohlen in einer Flublandschaft, George Stubbs
  		 Stuten und Fohlen in einer Flublandschaft   1763-1768 Oil on canvas 101,6 ?? 161,9 cm
70325  
Stuten und Fohlen in einer Flublandschaft, George Stubbs
  		 Stuten und Fohlen in einer Flublandschaft   Medium Deutsch: Öl auf Leinwand English: Oil on canvas Dimensions Deutsch: 101,6 X 161,9 cm
3725  
The Grosvenor Hunt, George Stubbs
  		 The Grosvenor Hunt   Grosvenor Estate, London
43305  
The Milbanke and Melbourne Families, George Stubbs
  		 The Milbanke and Melbourne Families   mk170 circa 1769 oil on canvas 97.2x149.3cm
37798  
The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar, George Stubbs
  		 The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar   sn02 1766-7 Oil on canvas 102.9x127.6
56672  
vintergatans upplomst, George Stubbs
  		 vintergatans upplomst   mk248 i sin onskan att ododliggora sin nyfodds son herkules trycker fupiter bonom til gudinnan funos brost, mjoken som stanker uppat formar vintetans stjarnor, de droppar som faller till marken blir liljor. tintoretto malade liljor langs dukens bas, men vid nagot tillfalle bar den ursprungliga duken skurits av nedtill. denna malng ar en av de som mest patagligt uppvisar influenserna fran tizian.
45819  
Whistlejacket, George Stubbs
  		 Whistlejacket   mk178 1762 oils on linen 292x246.4cm
45889  
Whistlejacket, George Stubbs
  		 Whistlejacket   mk178 1762 oils on linen 292x246.4cm London, The nationally Gallery
56126  
whistlejacket, George Stubbs
  		 whistlejacket   c.1762,oil on canvas,115x97 in,292x246.4 cm,national gallery,london,uk
60943  
Whistlejacket. National Gallery, London., George Stubbs
  		 Whistlejacket. National Gallery, London.   Whistlejacket. National Gallery, London.
37796  
Yak, George Stubbs
  		 Yak   sn02 1791 Oil on canvas London
George Stubbs
1724-1806 George Stubbs Galleries George Stubbs (born in Liverpool on August 25, 1724 ?C died in London July 10, 1806) was a British painter, best known for his paintings of horses. Stubbs was the son of a currier. Information on his life up to age thirty-five is sparse, relying almost entirely on notes made by fellow artist Ozias Humphry towards the end of Stubbs's life. Stubbs was briefly apprenticed to a Lancashire painter and engraver named Hamlet Winstanley, but soon left as he objected to the work of copying to which he was set. Thereafter as an artist he was self-taught. In the 1740s he worked as a portrait painter in the North of England and from about 1745 to 1751 he studied human anatomy at York County Hospital. He had had a passion for anatomy from his childhood, and one of his earliest surviving works is a set of illustrations for a textbook on midwifery which was published in 1751. In 1755 Stubbs visited Italy. Forty years later he told Ozias Humphry that his motive for going to Italy was, "to convince himself that nature was and is always superior to art whether Greek or Roman, and having renewed this conviction he immediately resolved upon returning home". Later in the 1754 he rented a farmhouse in the village of Horkstow,Lincolnshire, and spent 18 months dissecting horses. He moved to London in about 1759 and in 1766 published The anatomy of the Horse. The original drawings are now in the collection of the Royal Academy. Even before his book was published, Stubbs's drawings were seen by leading aristocratic patrons, who recognised that his work was more accurate than that of earlier horse painters such as James Seymour and John Wootton. In 1759 the 3rd Duke of Richmond commissioned three large pictures from him, and his career was soon secure. By 1763 he had produced works for several more dukes and other lords and was able to buy a house in Marylebone, a fashionable part of London, where he lived for the rest of his life. Whistlejacket. National Gallery, London.His most famous work is probably Whistlejacket, a painting of a prancing horse commissioned by the 2nd Marquess of Rockingham, which is now in the National Gallery in London. This and two other paintings carried out for Rockingham break with convention in having plain backgrounds. Throughout the 1760s he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. He often painted horses with their grooms, whom he always painted as individuals. Meanwhile he also continued to accept commissions for portraits of people, including some group portraits. From 1761 to 1776 he exhibited at the Society of Artists, but in 1775 he switched his allegiance to the recently founded but already more prestigious Royal Academy. Stubbs also painted more exotic animals including lions, tigers, giraffes, monkeys, and rhinoceroses, which he was able to observe in private menageries. He became preoccupied with the theme of a wild horse threatened by a lion and produced several variations on this theme. These and other works became well known at the time through engravings of Stubbs's work, which appeared in increasing numbers in the 1770s and 1780s. Mares and Foals in a Landscape. 1763-68.Stubbs also painted historical pictures, but these are much less well regarded. From the late 1760s he produced some work on enamel. In the 1770s Josiah Wedgwood developed a new and larger type of enamel panel at Stubbs's request. Also in the 1770s he painted single portraits of dogs for the first time, while also receiving an increasing number of commissions to paint hunts with their packs of hounds. He remained active into his old age. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he enjoyed the patronage of the Prince of Wales, whom he painted on horseback in 1791. His last project, begun in 1795, was A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl, engravings from which appeared between 1804 and 1806. Stubbs's son George Townly Stubbs was an engraver and printmaker.



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